Elysian Fields will release their seventh full-length album, Last Night On Earth, on June 14th. It’s their first U.S. release in a decade, which makes me pity the rest of America. If you’re not familiar with the music of Elysian Fields, you’ve really been missing out. The sultry voice of lead singer Jennifer Charles (also the voice of Lovage) is so distinctive that nowhere in my vast mental archive of musical references can I find one singer to use as even a flimsy comparison. Yet even the most gifted vocalist is useless without the right songs to sing and a strong backing band to accompany them. Fortunately, Jennifer Charles has always had both with Elysian Fields.
In the pre-mp3 era, I often discovered new music by buying random CDs from my local music store or discount clubs like BMG. Such was the case with Elysian Fields’ brilliant 1996 full-length debut, Bleed Your Cedar, which I bought only because I liked the name of the band.
Elysian Fields’ unique blending of eerie pop-influenced melodies and dark rock riffs – all wrapped up in Jennifer Charles’ sensual siren call – made the album an instant favorite of mine. Over the years, I’ve also enjoyed the band’s other releases (particularly 2000’s Queen Of The Meadow) and Charles’ various side projects.
“Red Riding Hood” is by far the standout track on Last Night On Earth, putting a twist on the dark punch that made Bleed Your Cedar so intoxicating. Slinky and sinister rock mingled with funky, almost psychedelic blasts of guitar, an ominously seductive lyrical fairytale, guttural bluesy male growls and Charles’ alluring croon make “Red Riding Hood” an irresistible masterpiece of a song.
Elysian Fields is so deliciously different from all other bands that even the softer tracks – such as the opener “Sleepover” and the title track finale – are mesmeric. Charles’ voice makes the most gentle melody seem at least a little bit wicked.
The album isn’t yet available at iTunes, but should be after the release date…