Muruch is curating a nonprofit, digital album of music, spoken word poetry and art to benefit RAINN, the Rape, Abuse & Incest National Network organization and National Sexual Assault helpline founded by singer Tori Amos.
Pamela Means’s latest release Precedent came to me accompanied by a Frida Kahlo postcard with a note from Pamela claiming the album is “back to acoustic basics”. But these songs are anything but basic. As always, Pamela recorded each song live in studio without edits or overdubs.
Pamela’s deep acoustic strum rips open “New Orleans”. The lyrics address the horrors surrounding Hurricane Katrina, and the injustices that the residents of the city continue to suffer. Her soft voice and subtle phrasing allow the fierceness of her guitar playing to convey the song’s sad message.
“Amsterdam” eases the tension by sliding back into the jazzy sound of her previous release Jazz Project Vol. 1, which is very complimentary to the rich tone of her voice.
“Love and Dust” and “Fireflies” are pretty acoustic ballads, but tracks like “California” and “Cold Ass M.F.” (of which there are two versions) simmer with the unique heat that only Pamela Means – and perhaps Ani Difranco – can sear into an acoustic guitar.
The moody cover of Peter Mulvey’s “On The Way Up” is a nice surprise. “Patchwork” has the kind of hushed intimacy of a live performance at a local bookstore or coffeehouse. But it’s “Virago Plains” that truly showcases the intricacy of Means’ guitar work.
Pamela is one of a growing number of artists who rely on pre-order “donations” from fans to fund the creation of her albums, including Precedent. The album is currently only offered for purchase in digital form at DigStation, but I’ll update this post if physical copies become available.
Pamela Means – New Orleans (mp3 expired) *
*mp3 posted w/ permission of artist
Billie Holiday and Nina Simone are two of my favourite singers of all time, and I think most people would agree that those ladies were in a class of their own. So it takes a lot of courage and an even larger amount of talent for a modern singer to successfully cover songs that Billie and Nina made famous. Pamela Means tackles both Billie’s upbeat “All of Me” and Nina’s deeper “Four Women” on this album, and amazingly she does both well. And while I never much cared for Sinatra’s “Fly Me to the Moon” before, Pamela’s sultry velvet voice transforms the classic into a torch song.
I was also surprised and impressed by her cover “My Funny Valentine”. Though the song holds special significance to me for personal reasons, I rarely like contemporary covers of it. Give me Chet Baker or Etta James, but the song usually sounds unimaginative and monotonous when sung by anyone else. Means, however, manages to refresh this old ode to unconditional love by giving it a deep new bass heart.
“My Love” is the only original song by Pamela Means on the disc. The smooth blend of Pamela’s jazzy vocals and funky bass rhythm enable the track to stand out as the modern work that it is while at the same time fitting right in with the classic covers that make up the rest of the album. A low key cover of Duke Ellington’s “I Got It Bad” gently closes the album.
Pamela Means – My Love (mp3 removed)
Pamela Means Official Site