St. Vincent & David Byrne: Love This Giant

Love This Giant is the new collaboration between St. Vincent and former Talking Heads singer David Byrne. As I said when I first posted about it in July, this seemingly strange pairing made perfect sense to me since they share a flare for the eccentric. The album as a whole doesn’t quite live up to the slinky coolness of the first single, “Who,” but it is a fun and very unusual listen.

The opener “Who” is by far the standout track and sets the tone for the entire album. You can download the mp3 and watch the fantastic video below. That same rhythmic mix of quirky electro-rock and -pop and funky brass permeates tracks like “Weekend in the Dust” and the Chakaesque “Lightning.”

“Ice Age” rises from murky, languid depths into a bizarrely peppy tune while Annie Clark’s unusual, somewhat surreal voice slinks and slides up and down and around with every odd note.

I have to agree with those who found themselves waiting for Annie to sing again. Byrne’s solo numbers aren’t bad, but they don’t stand out like the aforementioned tracks. The exceptions are “I Should Watch TV” and “The One Who Broke Your Heart.” The latter features The Dap-Kings and Antibalas and reminds us just what always made The Talking Heads so unique – their lead singer.

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Love This Giant Official Site

St. Vincent & David Byrne: New Album & Mp3!

Strangely, reading that St. Vincent and David Byrne have collaborated on an album did not seem strange to me at all. Annie Clark and the former Talking Heads singer may have a May-December relationship of sorts, but they definitely have their flare for the eccentric in common. Love This Giant will be released on September 11th. You can download a free, legal mp3 of the duet “Who” by entering your email address at the album’s Official Site or into the widget below. It’s just as slinky, quirky and cool as you hope.

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Love This Giant Official Site

Amanda Palmer: Who Killed Amanda Palmer?

Amanda Palmer of The Dresden Dolls will release her debut solo effort Who Killed Amanda Palmer? (title inspired by Twin Peaks) on September 16th. Palmer’s original concept was of a simple piano and voice collection recorded in her bedroom within one week, but the arrival of producer Ben Folds brought the recording to a proper studio and transformed it into a slicker project embellished with string and orchestral arrangements. Folds contributes backing vocals, keyboards, and percussion to the album, while Rasputina’s Zoë Keating provides cello. Members of The Dead Kennedys and St. Vincent also make cameos. The album apparently contains liner notes written by graphic novelist Neil Gaiman, but the advance disc I received did not have any of the artwork.


Still I always shock them when I answer
“Hi, my name’s Amanda”
I’m not going to live my life on one side of an ampersand
Even if I went with you, I’m not the girl you think I am

Amanda names the opener as her “hands-down favorite” song on the album as well as the track that most represents her current songwriting style. “Astronaut” is initially driven by the thunderous force of Palmer’s piano before her somber alto slides in for the quiet opening verse. Then the chorus explodes into a soaring pop melody plumped up with whirring strings and clanging cymbals.

The hyperactive, atmospheric “Runs in the Family” is my personal favorite on the album. It’s an older song that I believe Amanda wrote during the “Girl Anachronism”/”Half Jack” era, and it definitely sounds more like a Dresden Dolls piece than the rest. The Dolls association may be why Palmer hesitated to put the song on the album, but fortunately Ben Folds convinced her to include it.

It sounds like Folds whispering “manda” at the beginning of “Ampersand”, but I can’t say for certain. The ballad features some lovely piano work, and perhaps Palmer’s most heartfelt vocal performance. To be honest, I didn’t like it much the first time I heard it. Amanda’s deep voice is not the easiest fit for so soft a song. But the second time around, something in the song – the intimate lyrics I suppose, maybe the surprising vulnerability in her voice – clicked with me and it’s since become another favorite.

“Leeds United” is the first single from the new disc, a slinky punk stunner built around a marching band chorus and Palmer’s spatial raspings. The tune was recorded spontaneously during the Edinburgh Fringe Festival with a group of local Scottish horn players. The chilling “Strength Through Music” is a sparse piano ballad originally inspired by and written during the aftermath of Columbine, but Amanda did not record the song until those memories were reawakened by the recent Virginia Tech shootings.

The quiet is quickly ripped back open by the swaggering “Guitar Hero” (featuring guest East Bay Ray of The Dead Kennedys), a cynical ode to the video game and its addicts in which Palmer finally lets her wail go. St. Vincent‘s Annie Clark lends her operatic soprano to the tinkling duet of Carousel’s “What’s The Use of Wondrin”.

The advance disc I received lists “Oasis” as track ten, but it’s been called “Melissa Mahoney” elsewhere. I think the latter title is the true one, though both phrases are in the song’s lyrics. Either way, Palmer refers to it as “a pop song about abortion”. “The Point of it All” is a heartier ballad that accentuates the more elegant tone of Amanda’s voice, while the pretty piano melody “Another Year” serves as the album’s wistful finale.

Amanda Palmer – Runs in the Family (mp3) (removed at label’s request after permission granted by artist’s manager…the trials of legal blogging)

Amanda Palmer MySpace
The Dresden Dolls Official Site

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