Fantastic Negrito’s debut full-length album, The Last Days of Oakland, churns classic blues, soul, and funk with modern garage rock like somebody spun Lead Belly, Buddy Guy, Otis Redding, and Black Joe Lewis records in a blender.
Fantastic Negrito, led by singer and multi-instrumentalist Xavier Dphrepaulezz, first caught my attention jammin’ with Jamal in a club on Fox’s Empire. At the time they only had a couple of EPs out, so I was very excited for this album’s release. It more than lives up to the anticipation.
The entire album is a nonstop brilliant and bombastic rumination on injustice and inequality of both social and economic natures. My personal favorite tracks…
“Working Poor” has a fiercely catchy guitar riff and twisted refrain of Little Richard’s “Keep on Knockin'” with lyrics about the working class’ struggle to survive despite working as hard as we possibly can.
When I was curating Muruch.com for RAINN, I tried and failed to arrange a worthy cover of the traditional Appalachian folk song “In the Pines” (aka “Black Girl” aka Lead Belly/Nirvana’s “Where Did You Sleep Last Night”), so my heart just about exploded when I saw the song title on The Last Days of Oakland‘s tracklist.
Fantastic Negrito not only delivers a magnificently revamped, reverberating rendition of “In the Pines,” they also composed a new, gut-punch verse envisioning the “Black Girl” as the single mother of a son shot by police. It is the most perfect cover, beyond anything I could have imagined.
Other highlights are “Hump Through the Winter,” which follows the same theme as “Working Poor,” “Rant on Rushmore,” and the song they jammed with Jamal, “Lost in a Crowd”…