Dead Can Dance: Anastasis

Dead Can Dance fans such as myself have eagerly awaited the release of Anastasis. The band’s first album of new material in sixteen years, Anastasis is aptly titled for the Greek word meaning “resurrection.” It’s finally here and, though not as exotic and exciting as I’d hoped, it is unusual and beautiful in its own dark way.

The opening tracks “Children of the Sun” and “Anabasis” give respective reintroductions to the extraordinary voices of Brendan Perry and Lisa Gerard, but the arrangements lack some of the exotic fire of previous releases.

Songs like “Agape” and “Kiko” are more fitting returns for this very unique band. Dark, multi-instrumental melodies dance beneath Lisa’s haunting wails. The songs are reminiscent of the best from Into the Labyrinth and Toward the Within.

“Return of the She-King” churns lovely Medieval folk instrumentation and Gothic choral voices with almost militant electronic beats.

Brendan Perry’s solemn, astounding voice bids the album farewell with “All in Good Time.”

In a time when music is often so shallow and disposable, it is truly refreshing to listen to music – to a band – that has so much substance and beauty.

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You can download the first single, “Amnesia,” by entering your email address into the below widget and you can stream the entire album here.

Dead Can Dance

Dead Can Dance: Another New Free Ep Download!

Dead Can Dance is offering a free, legal download of their 5-track “Live Happenings – Part V” EP. You can access the download by entering your email address via the widget below…

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Dead Can Dance Official Site

Dead Can Dance: Free EP Download

Dead Can Dance are reportedly working on a new album to be released this year. In the meantime, the band is offering a free, legal download of their 4-track “Live Happenings – Part III” EP. You can access the download by entering your email address via the widget below…

Brendan Perry: Ark

Ark is former Dead Can Dance frontman Brendan Perry’s second solo album and his first studio release in eleven years. Brendan wrote all of the lyrics, played (or programmed) every instrument himself and recorded the album in his own studio in Ireland. Lyrically, the theme of conflict – particularly within politics and war – runs throughout the album. The sound is very similar to the darkly exotic music of his old band, but with a modern electro-rock twist. As always, Brendan’s extraordinarily powerful voice is the focus of his music.

The opener “Babylon” marries the Mediterranean folk instrumentation of Toward the Within with a Gothic chasm of rock and electronics. The result sounds like a collaboration between Dead Can Dance and Bauhaus.

“The Bogus Man” turns up the electronic beats slightly, but maintains an otherworldly atmosphere as Brendan sings of political corruption.

The quietly somber ballad “Wintersun” initially sounds like a Morrissey cover, but the rhythm kicks up unexpectedly during the second half of the song.

The middle of the album, however, falls a bit flat as far as the arrangements go. There’s a fine line between melancholy and dour.

Things pick back up with the electro number “The Devil and the Deep Blue Sea” and “Crescent” is the delicately beautiful finale.

You can download a free, legal mp3 of “Utopia” from the album by entering your email address via the widget below…

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Brendan Perry Official Site

Muruch Classic Albums Appreciation Club: Week 9

Last week’s pick, Dead Can Dance’s Toward the Within, was a little obscure, so I feared no one else would bother listening to it. But I did get some very enthusiastic responses, as well as a hesitant remark from another music blogger that it might be “a bit too morose and dirge-y.”

There is indeed a somber, dirge-like tone to Dead Can Dance’s vocal style, but the powerful voices of singers Lisa Gerrard and Brendan Perry were also capable of chill-producing wails. And the music on Toward the Within – particularly in “Yulunga” – has a more exotic mix of intricate Celtic folk instrumentation and sensual Middle Eastern percussion. Recorded live at Mayfair Theatre in 1993, Toward the Within is one of the most unique and interesting albums I’ve ever heard.

Toward the Within was the album that first introduced me to the traditional Irish ballads “The Wind That Shakes The Barley” and “I am Stretched on Your Grave.” Lisa Gerrard’s haunting a capella rendering of “The Wind That Shakes The Barley” remains, in my opinion, the definitive version of the song.

This week’s classic album is…The Doors’ self-titled debut

To recap the procedure here: At the beginning of each week, I’ll post brief thoughts on the previous week’s listening experience along with the coming week’s classic album selection. Then sometime in the week that follows, we’ll all take the time to listen to the album from beginning to end with no distractions. It can be as simple as just getting away from the computer to listen alone or you can make an event of it with candles, beverages and friends. Whatever format you play the album in or the manner in which you listen, just give the music your full and undivided attention.

Feel free to comment or email your opinions of our selections and recommendations for classic albums (from any decade, including this one).

Muruch Classic Albums Appreciation Club: Week 8

Last week’s selection, Carole King’s Tapestry, is one of my all-time favorite albums and was at the top of my list of classic albums to use for this project. Unfortunately for my husband (who wasn’t quite as impressed since he’s more familiar with covers of the songs), I know and love Tapestry so much that I couldn’t resist singing along with nearly every song on it. The entire album – particularly the songs “So Far Away,” “It’s Too Late,” “Home Again,” and “You’ve Got a Friend” – is warm, pretty and mellow. It’s the kind of album that I’ve always been able to listen to in any mood and feel happier afterward. I’ve debated on whether to include this week’s choice, because it’s a bit obscure. But it’s far too good to ignore when talking about classics.

This week’s classic album is…Dead Can Dance: Toward the Within

To recap the procedure here: At the beginning of each week, I’ll post brief thoughts on the previous week’s listening experience along with the coming week’s classic album selection. Then sometime in the week that follows, we’ll all take the time to listen to the album from beginning to end with no distractions. It can be as simple as just getting away from the computer to listen alone or you can make an event of it with candles, beverages and friends. Whatever format you play the album in or the manner in which you listen, just give the music your full and undivided attention.

Feel free to comment or email your opinions of our selections and recommendations for classic albums (from any decade, including this one).