Fantastic Negrito: The Last Days of Oakland (Album Review, Videos & Full Album Stream)

Fantastic Negrito’s debut full-length album, The Last Days of Oakland, churns classic blues, soul, and funk with modern garage rock like somebody spun Lead Belly, Buddy Guy, Otis Redding, and Black Joe Lewis records in a blender.

Fantastic Negrito, led by singer and multi-instrumentalist Xavier Dphrepaulezz, first caught my attention jammin’ with Jamal in a club on Fox’s Empire. At the time they only had a couple of EPs out, so I was very excited for this album’s release. It more than lives up to the anticipation.

The entire album is a nonstop brilliant and bombastic rumination on injustice and inequality of both social and economic natures. My personal favorite tracks…

“Working Poor” has a fiercely catchy guitar riff and twisted refrain of Little Richard’s “Keep on Knockin'” with lyrics about the working class’ struggle to survive despite working as hard as we possibly can.

When I was curating Muruch.com for RAINN, I tried and failed to arrange a worthy cover of the traditional Appalachian folk song “In the Pines” (aka “Black Girl” aka Lead Belly/Nirvana’s “Where Did You Sleep Last Night”), so my heart just about exploded when I saw the song title on The Last Days of Oakland‘s tracklist.

Fantastic Negrito not only delivers a magnificently revamped, reverberating rendition of “In the Pines,” they also composed a new, gut-punch verse envisioning the “Black Girl” as the single mother of a son shot by police. It is the most perfect cover, beyond anything I could have imagined.

photo credit: Robbie Welsh

Other highlights are “Hump Through the Winter,” which follows the same theme as “Working Poor,” “Rant on Rushmore,” and the song they jammed with Jamal, “Lost in a Crowd”…

Fantastic Negrito Official Site

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Vienna Teng: New Musical Album “The Fourth Messenger”

Vienna Teng lent her masterful singing and songwriting to a new musical, The Fourth Messenger, and the album is now available for streaming and purchase via Bandcamp below. The Fourth Messenger tells the story of a modern, female spiritual teacher (Vienna) who claims to be Buddha and the journalist determined to expose her as a fraud. The standout tracks are those that feature Vienna’s gorgeous voice, especially the lovely ballads “Pebble in a Lake” and “As Long as I am Living.”

Vienna Teng Official Site

Brandi Carlile: The Firewatcher’s Daughter (Album Review)

It’s here! And it’s magnificent! Brandi Carlile’s fifth studio album, The Firewatcher’s Daughter, was just released via ATO Records and it sure is somethin’ else. Recorded almost entirely as first takes without any demoing and little rehearsal, The Firewatcher’s Daughter is an unparalleled display of musical brillance.

We throw around the word “wail” so easily when it comes to big voices, but Brandi’s wail is a true, heart-in-throat keen so full of emotion it sounds on the verge of breaking yet so strong it deftly bends every note to her whim. And her longtime collaborators Tim and Phil Hanseroth (a.k.a. “The Twins.”) are with her every glorious step of the way.

“Wherever is Your Heart,” “Beginning to Feel the Years,” “Wilder (We’re Chained)” and the string-accented “I Belong to You” are the kind of beautiful ballads that would tug heartstrings no matter who sang them, but Brandi’s supernatural voice lifts them up to a celestial realm.

The album’s first single, “The Eye,” finds Brandi reigning in her extraordinarily big voice for gentler, sun-drenched, pop-folk harmonies.

“Things I Regret” is a deceptively uptempo, high energy road song that quickly builds, gaining momentum like a steam engine til the roaring finale.

Then “Mainstream Kid” throws a quaking, blues-rock stick of absolute dynamite on the tracks and blows the whole thing to hell. This woman can make Hendrix, Skynyrd, Ram Jam and Nirvana sound like soft jazz!

“Alibi” stays at full throttle rock level, but there’s an unexpected, subtle undercurrent of summery, California pop to the chorus melody that gives it a catchy and slightly disorienting swirl.

“The Stranger at My Door” is an intoxicating, mesmeric gulp of noir, a phantasmagoric masterpiece that bends the mind as much it does genre…like Johnny Cash fronting Led Zeppelin in a David Lynch movie then Trans-Siberian Orchetra jumps on stage to close with a freakin’ rock riff of “When Johnny Comes Marchin’ Home Again!” It is one of the greatest, most deliciously unusual songs ever constructed. Wow, just wow.

The album closes with a fitting cover of The Avett Brothers’ “Murder in the City.”

There is truly no one like Brandi Carlile at her fierce, brilliant best. She’s somehow simultaneously the heir to The Beatles, Janis Joplin and The Man in Black. I’ll be shocked if The Firewatcher’s Daughter isn’t my #1 album come December.

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Brandi Carlile Official Site




Lost in the Trees: Past Life Full Album Stream

By: Brn

Anti Records have released Past Life, the latest album from Lost in the Trees, on Youtube…



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