As we announced last month, Irish rockabilly star Imelda May will release her third album, Tribal, on April 28th in the U.K. via Decca Records and on July 29th in the U.S. via Verve Records. Imelda just released another new track titled “Wild Woman”…
Irish rockabilly star Imelda May will release her third album, Tribal, on April 28th in the U.K. via Decca Records and on July 29th in the U.S. via Verve Records. The video for the album’s first single, “It’s Good to be Alive,” puts a comedic spin on The Bride of Frankenstein’s happily ever after…
Listen to Me: A Tribute to Buddy Holly was released so shortly after the Rave On Buddy Holly that it got lost in the shuffle of my review folder last year. Even months later, Listen to Me still suffers by comparison to the other Buddy Holly tribute. This is at least in part due to what seems to be a bit of a musical identity crisis – some truly great folk and rockabilly moments are lost betwixt bland pop covers and random classic rock. It’s good enough to bother reviewing, but had the potential to be so much better.
The opening cover of “Not Fade Away” by Stevie Nicks can’t hold a candle to Florence & The Machine’s wailing, quaking rendition on Rave On Buddy Holly, but it is nonetheless endearingly peppy and handclappy.
Imelda May‘s brassed up, punk meets rockabilly take on “Lookin’ for Someone to Love” and Linda Rhondstadt’s classic 1976 cover of “That’ll Be The Day” are highlights.
The stand out track is a beautiful piano and vioin rendering of “Learning the Game” by Natalie Merchant.
Fall Out Boy singer, Patrick Stump, gives a surprisingly gentle and melodic version of “Everyday,” but I was disappointed with Zooey Deschanel‘s “It’s So Easy.” I usually love anything she sings, but this particular arrangement weighs her voice down.
The humorous spoken word “Raining in My Heart” by Monty Python’s Eric Idle is the tribute’s bizarre finale. Otherwise, this is a very safe, adult contemporary collection of Buddy Holly covers. Which isn’t a bad thing, just nothing to get excited about.
This year’s top album list pretty much assembled itself throughout the year. The top 4 in particular are albums I expect to continue to listening to over and over for years to come. Click on the album titles to read the full reviews, purchase the albums, and, in some cases, download mp3s…
“…combine catchy electro-pop with airy dream-pop….What sets The Good Natured’s songs apart is the occasional splash of exotic strings or thunderous, syncopated beats. I’m enjoying this album immensely.“
“…churns the all-female vocal ensemble’s signature Gothic choir sound with even more exotic instrumentation, faster tempos and fiercer wails….brimming with dark drama, intoxicating rhythms and haunting choral harmonies“
“…From the opening blast of harmonica through the finale, The Decemberists have woven layers of delicate instrumentation and poetic lyrics into even the most buoyant and infectious song on this album.“
“…truly a delight…airy pop-folk songs…”Appalachian Hills” is the album’s biggest stunner. The haunting folk ballad explores the beautiful landscape and horrific racism in the Shenandoah valley during and after the Civil War.“
“…marries the electro-pop of his recent releases with the eccentric troubadour style of his early albums, then takes things a step beyond with classical strings, big brass and a newfound lyrical optimism.“
“…Lead singer Genevieve Schatz’ voice is distinctively strong and pretty, and the band’s pop-rock songs are far more catchy and lyrically substantial than anything on the radio…one of those albums I like more with each listen.“
“…The poor kid must be sick of the comparisons, but what else can I say here? This little gem of an album sounds like Edith Piaf singing modern, slightly quirky, jazz and pop tunes. I adore it…There really are no weak tracks on the album, the intricacies and charm of the arrangments are a perfect match for Zaz’ superb and distinctive voice.“
“…grand in scope and beautifully complex, yet one of the most irresistibly accessible collections I’ve ever heard. This magnificent new song cycle finds Sarah taking pop, folk, rock and classical to places they’ve never been before.“
“…more of a American rock musical sound than the seminal Celtic punk band’s previous efforts…a lyrically brilliant and sonically solid effort inspired by the U.S. economic collapse – particularly its harsh effect on Detroit’s factory workers.“
“…gives these brilliant musicians some new opportunities to show off their substantial skills…”You Been Lyin’” is the best, most exciting collaboration any album ever had. The quaking duet with “Dallas gospel funk band” The Relatives sounds like The Staples Singers and George Clinton jamming with The Darkness.“
“…previously unreleased material by the late, great Eva Cassidy…composed entirely of acoustic versions of Eva’s best known recordings. Accompanied only by the soft strum of her guitar, Eva’s extraordinary voice is beautifully displayed in this exquisite collection.“
“…One of the more impressive releases of 2011 so far, Night of the Hunters was an ambitious undertaking for Tori Amos and one that, despite its weaknesses, can be called a success. It’s also a definite step in the right direction for the songstress and has won my loyalty back after a decade of disillusionment.“
“…Sin Palabras has all of the strengths of Night Of Hunters, yet none of the weaknesses…gorgeous instrumental version illuminates all of the intricacies and nuances of the arrangements. The brilliance of Tori’s piano playing, as well as that of her accompanying orchestra musicians, is put on full display.“
“…Heather’s unusually gorgeous voice has always been the driving force in her songs, but her intricate layering of high energy pop-rock instrumentation with haunting folk melodies continues to put her music into a category of its own.“
“…a brassed up brand of eerie indie-rock, melodic pop, delicate folk and the lightest hint of Zydeco…From her first wail in the mesmeric, churning, chill-producing opener, “Leila and the Orange Moon,” I knew I would love this album.“
“…a delightful nod to vintage Western swing, honky tonk and classic Nashville country…the whole album is a toe tappin’, hip shakin’ wonder. I expect it to be on my best of the year list come December.“
“…I don’t recall ever having been so profoundly moved by an album. The lyrics read like classic poetry, full of beautiful, nature-evoking imagery and immense sorrow…Sonya’s broken heart is deeply embedded in the marrow of this spectacular album, as her personal loss intertwines with metaphors depicting the loss of natural habitat and sanctuary for animals in the wild. Such personal and universal themes coupled with lush, intricate arrangements must surely destine It is so to become a folk classic.“
Muruch’s Mid-West reviewer/photographer Jen “Coble” Hopper had the awesome privilege of catching Irish singer Imelda May‘s October 4th performance at the Majestic Theatre in Madison, Wisconsin. Coble’s review and photographs of the concert follow…
Irish rockabilly queen Imelda May rocked a house packed into the balcony at Madison, WI’s Majestic Theatre on Tuesday night. The small stage was packed with instruments and dressed with a backdrop that shows off the gorgeous artwork from her new album, Mayhem.
An anxious crowd welcomed her to the stage of the intimate venue with a roar as she opened with “Pullin The Rug” then slowed it down with some blues favorites.
Imelda shared the story of her roots before kicking it up and getting the diverse crowd back to dancing for the rest of the night.
Imelda’s voice is dynamic and capable of wails and low sultry tones, which is the icing on the cake that makes Imelda (and her very talented band) such a treat to watch.
Imelda’s unique signature style combines classic glamour with edgy rock energy. She worked the stage and the crowd with foot-stomping favorites from her debut, Love Tattoo, like “Johnny Got a Boom Boom” as well as many other songs from Mayhem.
“Who’s ready for some rockabilly?” With raw talent like hers, Mayhem is impossible to resist.