09
Oct

Contest Closed

Muruch is giving away Joshua Bell’s new CD At Home With Friends, which features collaborations with Regina Spektor, Sting, Chris Botti, Kristin Chenoweth, Josh Groban, Tiempo Libre, and many more. See contest details below.

The Prize:

One U.S. winner will receive:
1 copy of Joshua Bell’s new CD At Home With Friends.

The Rules:

Comment to this entry with “Joshua Bell” and your email address. All new comments are moderated to avoid spam (which is why you must include the name of the artist in your comment), so it may take a day for your comment to appear if you haven’t commented on Muruch before.

Note: This contest is only open to U.S. residents, and all contestants must enter with a valid email address and the name of the artist in order to qualify. The winner of the contest will also be required to provide me with their full name and postal address for shipping purposes.

The Deadline:

The contest will end on Friday, October 30th. The winner will be chosen at random and contacted via email.

Go now go! And tell others.

Album Review

Buy @ Amazon

28
Aug

At Home With Friends is the new collection of instrumental and vocal duets by Grammy winning violinist Joshua Bell, who is joined by an eclectic mix of guest musicians and singers. Among Bell’s collaborators are Sting, Regina Spektor, Kristin Chenoweth, Josh Groban, Chris Botti, and Tiempo Libre. The album will be released on September 29th.

The covers that Bell selected for At Home With Friends are as varied as its performers, beginning with a tender rendition of “I Loves You Porgy.” The sweet strings of Bell’s violin blend beautifully with the lonely jazz of Botti’s trumpet on the Porgy and Bess ballad.

Sting lends his voice to the sixteenth century love song “Come Again,” a version of which appeared on Sting’s The Journey & The Labyrinth. I preferred the simpler lute rendition on Sting’s album, but Bell’s arrangement is also very pretty.

Josh Groban’s voice makes a good companion for Bell’s violin in the theme from “Cinema Paradiso.” However, it’s my Cuban boys Tiempo Libre who steal the show with “Para Ti.” The song alternates between peppy brass coupled with rhythmic Latin percussion and soft orchestral interludes.

Kristin Chenoweth’s operatic soprano is lovely, but seems an ill fit for “My Funny Valentine.” And while Bell’s instrumentation in “Eleanor Rigby” is flawless, I think the cover would’ve been more effective had he chosen a different singer or recorded it sans vocals. Frankie Moreno’s voice is nice, just not strong enough to tackle this particular Beatles classic. A better choice may have been Nathan Gunn, whose powerful baritone follows in “O, Cease Thy Maiden Fair.”

Thanks to the wonders of technology, you can hear Rachmaninoff himself play piano in “Grieg: Sonata No. 3.” Bandoneon player Carel Kraayenhof joins Bell on two of the album’s instrumental tracks, most notably the theme from “Il Postino.” And Chris Thile’s mandolin gives the elegant melody of “Look Away” a plucky boost.

Unfortunately for me, Regina Spektor’s “Left Hand Song” is missing from the Sony advance. But it will be included in the final cut of the album. Until then, the hauntingly exotic “Variant Moods: Duet for Sitar & Violin” makes up for its absence. Written by Ravi Shankar, the piece features his daughter Anoushka.

I personally prefer Bell’s classical works – such as his previous release Vivaldi: The Four Seasons – but it is refreshing to hear him experiment with style and play with such a diverse group of musicians.

I was not granted permission to share an mp3 and there are no audio samples available online yet, but there should be streams added at the links below before the release date.

Joshua Bell Official Site

Pre-order @ Amazon

02
Oct
The new release by violinist Joshua Bell is a beautiful revival of Antonio Vivaldi’s “The Four Seasons” coupled with Giusseppe Tartini’s “Devil’s Trill Sonata”. The album comes in gorgeous packaging with illustrated cards containing poems written by Vivaldi himself for each of the four seasons. The liner notes also give insight into the works themselves, as well as Bell’s motives for choosing these particular pieces.


The Autumn:
The village celebrates with dance and song
its pleasure at the good harvest
& many, heated by Bacchus’s draught,
end their enjoyment in sleep…

Despite how much I enjoy listening to classical and opera music, I’m not as well versed in either genre as I would like to be. I know I tend to like certain composers considered to be “Baroque” like Vivaldi and Bach, as well as the more popular Beethoven and Mozart. I also adore Albinoni’s “Adagio In G Minor”, though to be honest I prefer the eerie cover by The Doors. I’m a sucker for screamers (circus marches) and pretty much anything featuring a harpsichord. And I love the voices of Pavarotti, Caruso, Mario Lanza, and Maria Callas. But more often than not I find I can’t remember the titles, artists, or composers of other songs I like. But details aside, classical music is like any other genre to me – I love some, I dislike others. Joshua Bell falls into the former category.

Bell’s album is one that I find myself listening to when I need to calm down, and it has yet to fail in making me sigh with relief and feel more relaxed than before it begin to play. From the airy and familiar opening notes of Vivaldi’s “Spring” through the deeper tones of “Summer” and “Fall” into the more serene “Winter”, Joshua manages to capture the classic elegance of “The Four Seasons” while simultaneously breathing new life into Vivaldi’s masterpiece. So much so that the final rendition of Tartini’s “Devil’s Trill Sonata” seems a bit bland in comparison.

I was not granted permission to share an mp3, but you can hear samples at the links below. You can also listen to an interview with Joshua Bell conducted by Mona Seghatoleslami (a new acquaintance of mine) on WV Public Radio. Also, check out Mona’s blog Classically Speaking.

Joshua Bell Official Site

Buy @ Amazon