Muruch’s Mid-West reviewer/photographer Jen “Coble” Hopper had the awesome privilege of catching Irish singer Imelda May‘s October 4th performance at the Majestic Theatre in Madison, Wisconsin. Coble’s review and photographs of the concert follow…
Irish rockabilly queen Imelda May rocked a house packed into the balcony at Madison, WI’s Majestic Theatre on Tuesday night. The small stage was packed with instruments and dressed with a backdrop that shows off the gorgeous artwork from her new album, Mayhem.
An anxious crowd welcomed her to the stage of the intimate venue with a roar as she opened with “Pullin The Rug” then slowed it down with some blues favorites.
Imelda shared the story of her roots before kicking it up and getting the diverse crowd back to dancing for the rest of the night.
Imelda’s voice is dynamic and capable of wails and low sultry tones, which is the icing on the cake that makes Imelda (and her very talented band) such a treat to watch.
Imelda’s unique signature style combines classic glamour with edgy rock energy. She worked the stage and the crowd with foot-stomping favorites from her debut, Love Tattoo, like “Johnny Got a Boom Boom” as well as many other songs from Mayhem.
“Who’s ready for some rockabilly?” With raw talent like hers, Mayhem is impossible to resist.
If you watched this year’s Grammy Awards, then you’ve already seen and heard Irish singer Imelda May. Imelda was the spitfire who sang the “How High The Moon” tribute to Les Paul with guitarist Jeff Beck. The Dublin native’s album Love Tattoo features a similar retro rock-a-billy sound.
What sets Imelda apart from other rockabilly acts is her incorporation of traditional Irish and jazz instrumentation into her rocked out arrangements. Imelda herself plays bodhrán while her band members contribute trumpet, flugal horn, and piano.
The jazz influence is most apparent in the upbeat horns of “Feel Me” as well as Imelda’s sultry vocals in the torch songs “Knock 123” and “Meet You at the Moon.”
The real driving force behind the album is unquestionably Imelda’s growl and those revved up guitars – such as in the sizzling opener “Johnny Got a Boom Boom,” “Big Bad Handsome Man,” “Smotherin’ Me,” and especially the wailing chorus of “Smokers’ Song.”
Imelda wrote every song on the album except the traditional “Wild About My Lovin'” and “It’s Your Voodoo Working.” Both covers are fun, but it’s originals that stand out most.
Love Tattoo ends with a bang thanks to the hyperactive Latin horns and punk attitude of “Watcha Gonna Do.”
I was not granted permission to share an mp3, but you can hear samples at the links below.