Dayna Kurtz will perform live at Mountain Stage on February 22nd and release her new album, Rise & Fall, on March 31st. To say I’m excited would be a vast understatement. Dayna likens the new song cycle to her exquisite debut, saying: “This album is the most like Postcards From Downtown in that it covers such a long span of collected original material. Rise and Fall covers these last few years of my life and they were pretty heavy years; My father died, my marriage ended. I moved to New Orleans. I had a couple years of wild oat-sowing and then found a grand new love. There’s been a lot to think about, to write about.”
If you can’t attend this week’s Mountain Stage concert in person, you can watch the show live on the Mountain Stage Webcast this Sunday, February 16th at 7pm EST. Scheduled to perform are Lake Street Dive, Willie Sugarcapps, Shonna Tucker, The Steel Wheels, and Gregory Alan Isakov.
Last night’s Mountain Stage featured Carrie Rodriguez, Brooke Waggoner, Trixie Whitley, Iris Dement and Bruce Cockburn. With such a powerhouse lineup, it’s no surprise the show sold out before the doors even opened.
Carrie Rodriguez’ 2008 Mountain Stage set was one of the best concerts I’ve ever attended, so I was excited to see her return to my beloved venue. No one woman should be as pretty and gifted as Carrie Rodriguez. Her face and voice are equally gorgeous, her songwriting is top-notch and she’s a multi-instrumental virtuoso. She was accompanied last night by a single guitarist, Luke Jacobs.
Carrie opened with the high energy “Devil in Mind,” playing her violin like a rock guitar. She followed that with the mellow, swaying song “Lake Harriet,” which she called her “ode to the Minnesota man.” The beautiful love song “Get Back in Love,” a tribute to her guitarist’s parents, was the highlight of her set. Carrie asked the Mountain Stage band to join her for her new single, “I Cry For Love,” and ended with the sweet ballad “I Don’t Mind Waiting.”
Carrie Rodriguez’ fifth full-length solo album, Give Me All You Got, will be released January 22, 2013. You can download the new single, “Lake Harriet,” by signing up for Carrie’s email list at her website and watch the video below.
Julie Adams and the Mountain Stage band took a turn covering Ron Sexsmith’s lovely “Speaking With The Angel.”
Brooke Waggoner, a striking redhead in a bright red dress and black boots, took the stage and piano next. I loved Brooke’s sophomore album, Go Easy Little Doves, but had never seen the classically trained singer-pianist in concert before. I had tickets to see her at Mountain Stage in the winter of 2010, but a snow storm canceled the show. I’m so glad Brooke chose to visit earlier in the season this time.
Brooke has one of those rare, flawless voices that sounds exactly the same live as it does recorded. Her voice and melodies have an unusually haunting and delicate quality to them, yet she’s not afraid to add a dark edge to certain songs.
Brooke and her band blasted the stage like it was a rock arena. This girl is going to be a huge star. At least, she should be. She played all new songs from her upcoming album, each more astounding than the last. It was like someone put the best, most impressive elements of Little Earthquakes-era Tori Amos and The Dresden Dolls-era Amanda Palmer into a blender. She was my favorite act of the night and I wish she’d played an extended set.
Brooke Waggoner’s next album, Originator, will be released in early 2013. You can download the first single, “Ink Slinger, at Rolling Stone.
Belgian singer Trixie Whitley had no difficulty following in Brooke’s wake. Trixie is a jack-all-trades kind of artist, having been an actor, dancer, DJ and musician. Her recording resume reads like a Who’s Who of the music industry, with names like Me’shell Ndegeocello, Robert Plant and Marianne Faithfull. Trixie was by far the most entertaining member of Black Dub when I saw them perform at Mountain Stage in 2010 and one of the standout covers on the recent Fleetwood Mac tribute.
Trixie opened with an atmospheric piano melody before picking up an electric guitar for the harder “Gradual Return,” a rock song with almost psychedelic riffs. She switched to an acoustic guitar for a bluesy ballad about a Mexican town, then slid back behind the piano for the love song finale, “I Breath You in My Dreams.” Every song was completely different, yet equally captivating. Trixie’s soulful, versatile voice rivals Adele.
As I posted last month, Trixie is offering a free, legal EP download via Noisetrade (see the end of this review) and her solo debut, Fourth Corner, will be released January 29, 2013.
Strangely, Grammy-winning folk singer Iris Dement was probably the most famous of the performers and the one whose music I was least familiar with. She counts among her fans and collaborators Merle Haggard, John Prine, David Byrne, Natalie Merchant and the Coen Brothers. Her songs have been featured in various television shows and movies, and she herself played a small role in the film Songcatcher. But, to put it politely, her lengthy, dry banter and high pitched whine were not my cup of tea. The older folks in the audience seemed to like it, but I wasn’t the only younger person in the crowd yawning and checking my watch.
Thankfully, Mountain Stage pianist Bob Thompson soothed my frayed nerves with “Stardust.”
Finally, Bruce Cockburn. I’ve seen the Canadian folk master perform at Mountain Stage so many times over the years, I’ve lost count (last night was his 13th time at the venue). But it’s never enough.
As quiet and unassuming as the man is, there is no question that Bruce Cockburn and his music are legendary. I often wonder why Cockburnesque isn’t as overused a musical adjective as Dylanesque, but then I can’t think of any artist that can be compared to Bruce Cockburn. His live performances are even better than his recordings. There’s just something so likable about his humble demeanor and so captivating about his folk songs.
Bruce started with an older instrumental, then played “Call Me Rose” from his most recent album, Small Source of Comfort. He closed with the quaking, gut-renching “Put it in Your Heart.”
Brooke Waggonor and Trixie Whitley were the only performers of the night who didn’t stick around for the group finale. Carrie Rodriguez, Iris Dement and Bruce Cockburn joined host Larry Groce and the Mountain Stage band for a cover of “If I Prove False To Thee.”
Matthew Sweet’s record label is offering the following free, legal download of the singer-songwriter’s latest single, “Late Nights With The Power Pop” from his new album, Modern Art. Locals can catch Matthew Sweet at Mountain Stage in Charleston, WV on October 23rd.
Matthew Sweet – Late Nights With The Power Pop (mp3 expired)*
Listening to the self-titled debut album by singer-songwriter Grace Pettis, it’s no surprise to learn that she was recently awarded the “Best Song” prize in the Mountain Stage New Song Festival. Like last year’s winner Rose Polenzani, Grace is a very talented independent artist who plays and sings delicately beautiful songs.
Songs like the opener “The Gypsy’s Code” possess the dusky Western folk sound of Patty Griffin and Kate Rusby, and Grace’s voice has a warm lilt similar to Beth Nielson Chapman.
“Nine to Five Girl” is a melancholy blue collar anthem for all of the overworked, under tipped waitresses across America. It is the song that earned Grace the NewSong Festival award.
The album’s liner notes say Grace wrote the lovely ballad “A Bird May Love” when she was just fourteen years old. A duet with singer-guitarist Colin Brooks, it’s my personal favorite song on the album.
“What You Didn’t Want to Know” is a gentle communion between the performer and the heartbroken audience members that hear their lives reflected in her songs.
Also of note are the buoyant love ditty “Italy” and the fragile plea for affection “Speak Tenderly.”
Grace will graduate from college in May, and she wrote every beautiful song on her debut.
Grace Pettis – A Bird May Love (mp3 expired) *
*mp3 posted for limited time w/ permission of artist