Muruch

Muruch husband and wife duo Brendan and Vic were among those enamoured with the new Leonard DiCaprio film Inception. Director Christoper Nolan’s trippy intellectual dreamscape successfully combines the sci-fi plots and astounding effects of movies like The Matrix with a noirish mystery and settings seemingly ripped from the work of M.C. Escher. Being the movie soundtrack and Hans Zimmer expert of the house, Brendan took on the review of Zimmer’s score for the Inception soundtrack. You can read his thoughts on the album below…

I’ve enjoyed the music of Hans Zimmer since 1993’s True Romance, one of my earliest soundtrack purchases. On cassette! Remember cassettes? My admiration for that particular score was dampened when I heard the remarkably similar music from an earlier film, Badlands. But Zimmer has done some wonderful work in the past two decades, including Gladiator, The Lion King, The Rock, and The Dark Knight. One of my favorite compliations in recent years has been The Wings of a Film – a concert performance from 2000 featuring Zimmer’s music as performed by the VRO Flemish Radio Orchestra. Highlights from that album include excerpts from The Thin Red Line and Gladiator, the latter featuring Lisa Gerard’s haunting vocals.

On to Zimmer’s latest release, Inception. I listened to it walking through the streets of my town as the sky darkened and the wind grew and thunder crashed. The Inception score was a perfect soundscape – when I heard a snatch of a particular song central to the movie, I felt a strong urge to wake up.

Inception is moody and brooding, somewhat similar to Zimmer’s work on other recent Christopher Nolan collaborations, but intensified by the guitar playing of former Smiths guitarist Johnny Marr.

The final track, “Time,” is representative of this score – an emotional triumph that builds and builds until you feel the love and loss of the character it represents, then fades with a bittersweet solo piano.

Inception is a heady mix of electronics, orchestra and guitar, and surely will be a forerunner for best score when Oscar season arrives.

I was not granted permission to share an mp3, but you can listen to an interview with Hans Zimmer at WV Public Radio and hear samples from the album at the links below…

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Hem’s new album Twelfth Night was just released today. I was excited to hear the new material since their previous album Funnel Cloud was #2 on my 2006 Top Albums List. But Hem fans expecting another pretty, folk-country song collection may be surprised by the band’s new original score for The Public Theater’s Shakespeare in the Park production of Twelfth Night. The band livens up the genteel Medieval folk sound of The Bard’s era with a unique blend of Celtic, folk, and soft pop. Actress Anne Hathaway and singer Audra McDonald are among the album’s guest vocalists.

The more spirited reels, such as the traditional “Black Thorn Stick” and “The Rose in the Heather,” spin elements of Irish and Scottish music. And “The Funeral,” written by Hem’s own Dan Messe, is pure Celtic dirge.

Anne Hathaway’s dulcet voice breathes through “Take, O Take Those Lips Away,” and she duets with singer Audra McDonald on the beautiful ballad “Full Phathom Five.” The latter features lyrics culled from The Tempest.

Dave Pittu sings the part of an Elizabethan minstrel in “O Mistress Mine,” and joins Hathaway and Raul Esparza for “Come Away Death.” Elsewhere, a lilting flute carries the instrumental “To the Gates of Tartar.”

My only complaints about the album are the lack of vocals by Hem singer Sally Ellyson and the brevity of the songs due to the nature of the theatrical production.

I was not granted permission to share an mp3, but you can hear samples at the links below.

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Hem Official Site

Ice-9 Ballads is the new soundtrack to Kurt Vonnegut‘s classic novel Cat’s Cradle. A 1997 collaboration between the late, great author Vonnegut and composer Dave Soldier, the album features nine tracks that were directly inspired by the book. I didn’t know quite what to expect when I first received it, but I can’t imagine a more perfect score for my favorite novel of all time.

Kurt Vonnegut adapted the lyrics himself from his novel Cat’s Cradle, and named the songs after chapter titles in the book. Dave Soldier composed and arranged the melodies, which capture the delightfully bizarre mood of the novel. The songs are fleshed out beautifully by The Manhattan Chamber Orchestra, Tiye’ Giraud, Jimmy Justice, and Valarie Naranjo on the African balaphone.

“Annihilation Life” opens in a mellow, old-fashioned blend of bluegrass, jazz, and classical styles akin to Pianafiddle. “Dyot Meet Mat” follows with a buoyant, chiming Caribbean vibe.

Vonnegut narrates several songs in a cool, spoken word manner reminiscent of William S. Burroughs. This vocal style is particularly used well in the standout track “Nice, Nice, Very Nice”, the lyrics of which were culled from Bokonon’s “Fifty-third Calypso” in Cat’s Cradle. The song swirls and chirps like a psychedelic Talking Heads number accented with dramatic orchestration and a choir of female voices that remind me of Cibo Matto.

“Duo for Clarinet & Meade Lux Lewis” returns to the vintage style of the opener with a splash of classic piano blues, then “14th Calypso” stirs a light hint of Gospel into Island instrumentation.

Also included on the disc is “A Soldier’s Story”, which was recorded in the style of a 1940s radio broadcast. The song is based on a text by Vonnegut that was inspired by the death of Private Eddie Slovik, the only American soldier to be executed for cowardice during World War II. Vonnegut voices the General in the piece, which again features music composed by Dave Soldier. DJ Phil Schaap fittingly plays “The Radio Announcer”, Dina Emerson is “The Red Cross Girl”, Wilbur Pauley is “The MP”, and Brad Hougham portrays “The Soldier.”

“East St. Louis, 1968″ closes the album with the tale of a young viola player’s first trip to the city. But it is undoubtedly the first literature-inspired portion of the disc that will certainly push it toward the top of my end of year list.

Kurt Vonnegut & Dave Soldier – Dyot Meet Mat (mp3) *
Kurt Vonnegut & Dave Soldier – Duo for Clarinet & Meade Lux Lewis (mp3) *

*mp3s hosted by Mulatta Records

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