We first introduced you to Highasakite in 2012 as part of Muruch’s Surfacing series and their gorgeous debut, Silent Treatment, was one of our Top Albums of 2014. The Norwegian indie-pop trio just released a new single, “Someone Who’ll Get It,” from their forthcoming sophomore album (title & date tba) and here ya go…
Saul Williams continues to frustrate my writer’s pen (ok, keyboard) with his brilliance and artistry. How can one capture in mere words the expertly, intricately woven tapestry of experimental sound, song and poetry that is his new album, MartyrLoserKing?
Created during Saul’s travels throughout Eastern Europe, Africa, and America, the album centers on a fictional hacktivist in the third world country of Burundi. However, knowledge of this concept is not required to enjoy and admire the album as a whole or its individual tracks.
Even after repeated listens, my head still spins trying to pin down just one element of the album, of any individual song, to describe, yet there isn’t ever just one element at play here.
Every note of this album churns punked up, politically, socially and historically conscious spoken word poetry, hip hop, EDM, Industrial rock, soul, classical and jazz piano, and steampunk clockwork gear sound effects like a musical genre-welding time machine.
This cornucopia of genius is most evident in the astounding standout singles “Horn of the Clock Bike,” “They Think Like They Book Say” and “The Noise Came From Here.”
Other tracks of note are “Ashes,” “The Bear/Coltan as Cotton,” “Burundi” (feat. Emily Kokal of Warpaint) and the aptly titled “All Coltrane Solos at Once.”
Saul will perform at a record release show at Rough Trade in Brooklyn NY on February 2nd before embarking on his European Tour…
Feb 2 – New York, NY – Rough Trade
Feb 8 – Toronto – Tattoo
Feb 9 – London, UK – Rough Trade
Feb 13 – Bristol, UK – BBC Radio 6 Music Festival
Feb 19 – Montreal, QC – Kanaval Kanpe
Mar 3 – Bristol, UK – The Lantern
Mar 4 – Cardiff, UK – Clwb Ifor Bach
Mar 5 – Liverpool, UK – Kitchen Street
Mar 6 – London, UK – The Garage
Mar 8 – Oslo, Norway – Bla
Mar 9 – Turku, Norway – Klubi
Mar 10 – Helsinki, Finland – Elmun Baari
Mar 11 – Tampere, Finland – Klubi
Mar 12 – Jyvaskyla, Finland – Lutakko
Mar 13 – Amsterdam, The Netherlands – Melkweg
Mar 15 – Riorges, France – Salle du Grand Marais
Mar 16 – Vaulx en Velin, France – A Vaulx Jazz
Mar 17 – Fribourg, Switzerland – Fri-Son
Mar 18 – Geneve, Switzerland – La Graviere
Mar 19 – Bale, Switzerland – La Caserne
Mar 20 – Zurich, Switzerland – Moods
Mar 22 – Antwerp, Belgium – Arenberg Theatre
Mar 23 – The Hague, Netherlands – Paard Van Troje
Mar 24 – Sally-Lez-Lannoy, France – Salle Clovis Defrenne
Mar 25 – Niort, France – Le Camji
Mar 26 – St Nazaire, France – Le Vip
April 9 – Iowa City, IA – Mission Creek Festival
Jun 12 – Morrison, CO – Red Rocks Amphitheatre
Brooke Waggoner just released her new album, Sweven. Brooke has gradually become one of my favorite artists after her beautiful debut, Go Easy Little Doves, and the exhilarating followup, Originator – not to mention her thrilling 2012 live performance at Mountain Stage. So Sweven was definitely my most anticipated album of the new year. I’m happy to say it exceeds even my high expectations of this singularly spectacular artist.
This glorious album somehow manages to marry old-fashioned player piano jauntiness with a futuristic, spatial – as in outer space as well as scope – flow. Think Scott Joplin meets David Bowie.
Even such lofty points of reference are tenuous comparisons at best. Brooke Waggoner’s music continues to be extraordinarily original. Even when you think you have her unique sound pegged down, she throws something even more unexpected into the mix.
Brooke’s deft, playfully beautiful touch on piano is especially distinctive and bewitching in “Proof,” the album’s title track and the exquisite instrumental “Egg Shells.”
The gorgeous song “Fellow” redefines the critically-overused adjective haunting.
“Cherry-Pick” is a spoken word poem set to music. The poem and melody are Brooke’s, but the voice is that of an elderly man. Said man is a geriatric patient of Brooke’s husband, his recitation was recorded by iPhone and his haggard voice is not dissimilar to that of William S. Burroughs.
Other tracks like “Widow Maker” and “Pennies & Youth” have a different kind of unusual juxtaposition, one of catchy pop and dark strings that is reminiscent of The Beatles’ “Eleanor Rigby.”
If Brooke Waggoner’s Sweven is not my #1 album of 2016, it’s gonna be a mind-blowing year for music. It already is.
Brooke will return to Mountain Stage on February 14th.
Download a free, legal EP comprised of 3 mp3s from the album and 2 alternative tracks at Noisetrade.